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Artful Exposition

2/18/2016

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Exposition is a literary device that introduces background information to the audience about events, settings, and characters. Done poorly, exposition dumps data, boring an audience senseless.

Imagine that I have a protagonist who’s an expert sculptor, and it’s essential for character development and the plot for the audience to understand the tools and materials she works with and the precision involved. I could have the protagonist (or the narrator) deliver an entire treatise on sculpting, thereby letting the momentum in my story slam to a dead stop.

So how do I convey that crucial exposition without the dreaded data dump? The easiest solution is to show the audience, not tell them. So let’s say the protagonist isn’t a sculptor but has a powerful motive to find out more, perhaps to assess the value of a sculpture he’s stumbled across. The audience learns the details as the protagonist does. This technique works only if it’s believable that the protagonist doesn’t already know the information.

However, in my example, the protagonist is already an expert. It isn’t believable that she wouldn’t know what goes into creating a sculpture. How do I present that information in an entertaining, believable fashion? I have a couple of options:

  1. I can introduce a character who truly doesn’t know much—a client or a trainee—and have my protagonist teach that person about sculpting.
  2. People don’t tell people things they both already know unless they’re fighting, and that information sticks in someone’s emotional craw. Maybe my sculptor argues with her estranged husband, who complains about how very little money her art has brought in over the years when compared to the level of effort.
  3. I can find another source to convey that information: in-universe media such as articles, letters, diary entries, etc.
  4. I can use a flashback that shows the information without my protagonist having to recount it.
These options can help you to dodge the data dump and achieve artful exposition.
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The Paper Bag Princess

2/4/2016

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“Well, a princess! I love to eat princesses, but I have already eaten a whole castle today.”

How I wish I’d had this book to read when I was growing up! Although Robert Munsch’s book The Paper Bag Princess was published in 1980, I didn’t discover it until 2003. When my daughter was born, my thesis advisor gave her The Paper Bag Princess as a gift. The book had become a tradition for my advisor, her go-to gift for baby showers and birthdays. Once I read it, I was a lifelong fan, and I've shared it with my daughter countless times over the years. Buying the book for baby showers and birthdays became a tradition for me as well.

The story is straightforward. Princess Elizabeth has a bad day. A dragon destroys her castle, burns all her clothes, and kidnaps her fiancé, Prince Ronald. What’s a girl to do? This strong, resourceful princess dons a paper bag, tracks down the dragon, outsmarts him, and rescues Prince Ronald. Who then disses her appearance because it doesn’t meet his standards of how a princess should look. What happens next will have little girls (and women of all ages) cheering.

According to Munsch, his wife was responsible for this book. In the 1970s, they both worked at a daycare center, where he told the children stories about princesses and dragons. Princes always came to the rescue. Exasperated one day, his wife asked, “Why can’t the princess save the prince?” And Elizabeth, the Paper Bag Princess, was born.

Although strong female protagonists for little girls are not quite so rare anymore—even Disney has wised up in recent years with Brave and Frozen—this hardy pioneer helped to show the way. Brava, Princess Elizabeth! Long may you reign.
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    Rose Ciccarelli offers writing and editing services through Rosebud Communications.

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